FON Air – A Safe Space radio show

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I have been commissioned by the Octopus Collective to produce a sound art radio programme about the notion of safe spaces. This will be a one hour live show on 27th March 2013 and will be a sonic exploration of these spaces.

If you would like to be involved I am looking for audio recordings of or about safe spaces – it could be a field recording of a space you feel safe and secure in, or a snippet of you playing music that you think conveys this safety. It could be a poem, you talking about how you relax, what you do to feel safe. It is a very open brief, I only ask that you donate your recording under a Creative Commons licence and that you are happy for your work to be used as part of the project, both on the show and in future versions of work. I will of course credit people for work used.

If this sounds ok and you would like to donate a recording to the project send audio files to info@shaunblezard.com and I’ll add them to the sound stocks 🙂 feel free to ask for any further info.

I will be using these files plus my own recordings, including the series of live broadcasts I’ll be producing over the next couple of months – these will be broadcast quite randomly on Spreaker and will include music, chat and field recordings from places I think are relaxing and make me feel safe.

If you would like to be involved in a live broadcast please contact me with your idea – if you want to have a chat about mental health issues and what you do to help recovery, broadcast a place you find safe, play some music etc please let me know. I can travel locally to me (Cumbria or North Lancs) or I can try and sort something out via Skype.

I’m very excited to be given the opportunity to do this show and to start the creative journey with he support of such a great arts collective. I hope you will join me on this first small step of the safe space art adventure. For an idea of the kind of thing I produce see my work for the project Cumbria Remixed.

Oh and just to be clear, I can’t afford to pay anyone for contributing to this show, but don’t let that put you off 🙂

Using tablets to make music and more live radio

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I did the next test internet radio live broadcast using Spreaker a couple of days a go. It was a live broadcast of improvised music by myself (Clutter) and Phil Powell (Sleepy Gumbo) doing an ambientish set using iPads and streamed from his mac.

We hit a few technical issues so we had a few drop outs in the sound, but all in all a good experiment in 1. Using tablets to make live improvised music and 2. Being able to play live to whoever would want to listen.

It’s now available to listen again – listen to the broadcast here

I have been jamming with Phil for a bit now, both being geeks and interested in what technology can do so we started an ipad duo to test some things out. The first couple of sessions were mainly using thumbjam and locking the 2 iPads and an iPhone together so everything sync was together and we could both add loops to the mix. We created some interested ‘doom jazz’ type sounds and were quite happy with the possibility of a band of tablet players. Our sessions usually involve having a good chat about the possibilities of where the technology could go. There’s the obvious avenue of midi and using backing tracks but we’ve been much more interested about using a tablet surface live, like a combination of instrument and effects rack.

I’ve been using an iPhone as a core part of my live set up for around 4 years now and enjoyed the physicality it can give to my playing, something sadly missing in most laptop based work. I was then given an iPad and at first thought wow, this is great I can use all the apps I have on the phone but with more control. So the duo with Phil started.

We have now had in the last few months a wave of highly usable and quite simply amazing apps coming out.

First we have the real game changer – audiobus is a simple but very powerful app that creates a signal chain for apps to run audio through each other. You have an instrument slot, or more, this runs into an effects slot, then into an output slot. Simple but now you can add effects to that clean sounding thumbjam harp….very exciting, very easy to use and works very well so far, the odd problem with apps still running in the background if you drop them out of audiobus, which won’t be a problem once it’s more practiced.

Then we has samplr – a loop sampler with audiobus integration that is made for iPad – I won’t go into details and do a review but if you like messing with live looping, sampling and such like this and audiobus are worth buying an iPad for. It really does up the game for sound manipulation. We’re still getting to grips with these tools and then added to the mix there is liveFX – any fan of kaoss pads will love this 4 channels of xy pad effects with filters, delays, distortion and much more with recordable movements to add more life to the mix. Last super mention goes to Echo Pad – a great dub type delay app for really adding that dub echo sound to your productions – wonderful stuff. I now have as my preferred choice samplr in audiobus, running through LiveFX and then Echo Pad, Phil has been using a similar set up but with added drumjam for loops.

So the live broadcast was using these tools mainly which gave a much looser, organic feel to the sound, just decide on tempo and away we go, we started to pull together some interesting ambient dance type things together, not unlike The Orb etc.

It really is an exciting time to be using this technology, with new avenues opening up on a weekly basis. We’re both looking forward to seeing what comes next. The developers are having amazing ideas but the really interesting things are coming from small teams that are listening to us the musicians and moving things forward very quickly.